Yesterday, Ofcom circulated a confidential email to broadcasters signalling its intention to increase the strength of its censorship regime. This has been provided anonymously to Sex & Censorship, and is published in the public interest.
Ofcom is better known as the UK’s media and communications regulator, but it is also the UK’s media censor. It is hugely powerful and well funded, formed by the merger of multiple earlier regulators covering various sectors of TV and radio. It has always applied ludicrously stringent censorship, often driven by compaints from a handful of individuals, and it throws out huge fines for the smallest of infringements. Its power began to be eroded by the rise of the internet, broadband, and streaming services, but it has long signalled that it intends to extend it remit over all forms of communication.
Ofcom not only censors the British media, but actually writes its own censorship policy – surely something that should be done by government with parliamentary oversight, rather than an unelected body. British (small-L) liberals have long worried about Ofcom’s power. David Cameron, possibly the most liberal of all Tory leaders, signalled his intention to drastically reduce Ofcom’s power before the 2010 election. Presumably, his wrist was slapped by the establishment, and his pledge was never heard of again.
Yesterday’s email reads as follows:
From: Ofcom Standards Team <OfcomStandardsTeam@ofcom.org.uk> Sent: 18 November 2019 Subject: Note to Broadcasters – Daytime chat and adult chat television services
The note reminds broadcasters of daytime chat and adult chat services of Ofcom’s guidance in this area and puts these broadcasters on notice that it will be commencing a targeted monitoring exercise of these services. [my highlight]
Standards and Audience Protection team
The linked document is worth reading, because it gives an insight into the tight level of monitoring to which broadcasters are subject. Ofcom has the power to levy fines of hundreds of thousands of pounds, without recourse to the courts. For smaller broadcasters (and streaming companies), these would be impossible to bear. Broadcasters have no option but to tightly self-censor, or be put out of business.
As an afterthought, consider in this context the Labour Party’s recently announced plans for a state-owned, free broadband service. It is unimaginable that the government-run broadband service would allow this to function like a normal ISP that allows full access to the internet, including sexual material or open discussion of difficult issues related to race, sexuality or gender. Given the Tories’ recent attempts to censor the internet, I am deeply distrustful of both major parties with regard to civil liberties, and am keeping my fingers crossed for a hung Parliament.
In my campaign to oppose censorship and oppose moral panics, I participate in many media and public events. On Friday, I participated in a debate at Exeter University titled “This House Would Watch Porn”, in front of around 140 students. Myself and Charlotte Rose (sex worker and free speech activist) won the debate easily (we won at least 90% of the vote). Charlotte livestreamed the debate via her phone, on Twitter, and you can watch it here (my speech begins at 5:10 and Charlotte’s around 16:10):
And tomorrow (Monday), I’ll be participating in a ThinkIn event in London for Tortoise Media. Tickets are available here. Please note that I often do these events unpaid, because I care deeply about the corrosive threat from moral panics, and the rising threat of censorship. You can support me by making a small donation at Patreon, or by buying my book, Porn Panic.
On Wednesday, I celebrated my return to Facebook after a one week ban. If you haven’t been banned from posting to Facebook yet, you should try, at least once, to get the feel for what it may be like to live in a techno-totalitarian state. While I could still see what was going on, I could not post – either to my personal page or to pages I manage, such as the Sex & Censorship page. Furthermore, I could not reply to messages in Facebook messenger, reply to comments on posts, or even Like them.
The ban was my third, and all three were done on the basis that I had posted “hate speech”. While I was banned, I noticed that two other Facebook friends posted that they were also returning from being banned. Here are the details of my three bans.
1) Responding to the “racist vans”
In 2013, the Home Office (headed by that charming lady, Theresa May), signalled a rising state intolerance towards migration by sending out “racist vans” which carried the charming slogan “In the UK illegally? Go home or face arrest”. I was on the way on the way to celebrate Jamaican Independence Day in Brixton, and I had an idea for a satirical, anti-racist post. Which went something like… ‘Happy Jamaican Independence Day! Or “fuck off w*gs day”, as it’s known in the Home Office.” I was quite proud of this, which gives you an indication of my sense of humour.
Note: firstly, I didn’t censor the w- word in my original post. It being 2013, I naively assumed that Facebook would understand the difference between a potentially racist word used in a racist context, and the same word used in a satirical, anti-racist context. I was wrong. The reason I censor the word in this article is that Facebook-style censorship will soon be applied to the entire web. There is every chance that blogs using such words will soon be blocked by a state-managed censorship system (the one being introduced in April under the pretext of blocking bad porn sites). Secondly, Facebook doesn’t seem to provide me a record of my banned posts. So I have to repost from memory.
I was banned for “hate speech” (from memory) for five days. This was the shape of things to come: not only is racism seen as problematic, but discussion of racism has also become problematic.
2) Sharing a white supremacist flyer
A (black) Facebook friend shared a flyer advertising a white supremacist rally in Wales a few days later. Her point in sharing it, obviously, wasn’t to promote the white supremacist cause, but to alert anti-racists of the event. I shared it, with a comment along the lines of “Calling Welsh anti-racists!”
I was banned again for “hate speech”. My black friend also had her post removed, but was not banned.
3) Appalling misogyny
In the latest episode, a female friend posted to Facebook “Women are psychos”. I’m not sure why she posted this, and I never saw the original post anyway. The post was removed, but she posted a screenshot of the conversation with Facebook support, which included the original post. I felt this was worthy of discussion, so I shared the image to the Sex & Censorship Facebook page. Not only was the post banned, but I received a seven-day ban from Facebook, again for “hate speech”.
There are various lessons that arise here, but the worrying aspect is that discussion about censorship is also censored. When a person is arrested for hate speech, the media coverage tends not to mention what the speech was – because, of course, the article itself might then be reported as hate speech. So the public gets no opportunity to discuss whether the punishment fits the crime, or even to know what the crime was.
Note that a murder can be described in vivid detail by the press, but “hate speech” cannot. Since justice must be “seen to be done”, it seems that justice is not possible in the case of hate speech.
Last week the Crown Prosecution Service published updated guidance for prosecutions under the Obscene Publications Act (1959). Legal campaigning has brought about a big change: the liberal tests of harm, consent and legality of real acts are now key parts of their working definition of obscenity. The CPS explain:
… conduct will not likely fall to be prosecuted under the Act provided that:
It is consensual (focusing on full and freely exercised consent, and also where the provision of consent is made clear where such consent may not be easily determined from the material itself); and
No serious harm is caused
It is not otherwise inextricably linked with other criminality (so as to encourage emulation or fuelling interest or normalisation of criminality); and
The likely audience is not under 18 (having particular regard to where measures have been taken to ensure that the audience is not under 18) or otherwise vulnerable (as a result of their physical or mental health, the circumstances in which they may come to view the material, the circumstances which may cause the subject matter to have a particular impact or resonance or any other relevant circumstance).
The guidance supports a realistic notion of consent which means that depictions of most safe, consensual activities under the umbrella of BDSM are unlikely to be subject to prosecution:
“Non-consent for adults must be distinguished from consent to relinquish control. The presence of a “gag” or other forms of bondage does not, without more, suffice to confirm that sexual activity was non-consensual.”
The CPS acknowledge the damaging impact on the rule of law when prosecutors rely on subjective notions when making charging decisions:
“An ill-defined concept of moral depravity or corruption does not provide for legal demarcation of sufficient precision to enable a citizen to regulate his or her conduct. However, where conduct or an activity is itself criminalised, that may be a clear indication as to its tendency to deprave or corrupt.”
This is a substantial improvement for the OPA which has previously been used to prosecute consensual sexual expression, including publications depicting and defending LGBTQ sexual practices.
For now, the guidelines relate only indirectly to decisions to prosecute for possession of Extreme Pornography (Section 63 of the Criminal Justice and Immigration Act 2008). They appear to clarify that prosecutors should not normally be targeting depictions or records of legal acts between consenting adults. This avoids the logical incoherence at the heart of previous obscenity definitions that meant people could be prosecuted for publishing or possessing visual records of practices that were perfectly legal to conduct, such as fisting.
This is good news for liberals and anyone with an interest in freedom of sexual expression. We have to remain vigilant to see how prosecutors use these guidelines in practice. But this is at least a substantial improvement on past definitions that provided little guidance for citizens, producers or prosecutors.
What is responsible for this surprisingly liberal turn? There is little we can say with absolute certainty other than that the CPS has wisely chosen to adjust its prosecution practice to better reflect contemporary public attitudes towards minority sexual practices and porn producers.
There are a few likely contributors to this reform. Various, sometimes overlapping, strategies formed an ecology of activism and advocacy that changed the legal and policy environment. Central to the story is the civil liberties group Backlash (declaration of interest: I have volunteered my research expertise at Backlash). It began as an advocacy group, campaigning against the extension of obscenity law to include possession of extreme images that the Home Office presumed to be a necessity in the Internet age.
After the law was passed despite well-informed opposition, obscenity lawyer Myles Jackman joined Backlash as legal advisor. In a switch in strategy, Backlash started providing legal advice and financial support to defend some criminal allegations that involved consenting acts between adults.
Meanwhile, other campaigners brought this issue to wider public attention. Jerry Barnett’s website Sex and Censorship and book Porn Panic helped to link the anti-porn agenda to a wider pro-censorship movement that is now prominent in some Internet political movements. Sexual freedom campaigner, Charlotte Rose, organized a ‘face-sitting’ protest outside Parliament aimed specifically at new media regulations and helped to raise the profile of sexual freedom more generally.
Obscenity and pornography regulation has attracted a great deal of scholarly interest. Initially, from critical supporters of the ban on extreme pornography from the field of feminist legal theory. Media communications scholars, especially Feona Attwood and Clarissa Smith, in the nascent porn studies sub-discipline, challenged the idea that porn had systematically negative impacts on culture, society and the status of women.
My article, ‘Millian Liberalism and Extreme Pornography’ showed that there was a surprising overlap between the interests of queer sexual politics, including the freedom to engage in transgressive expression and a right to establish safe spaces for minorities to support and cultivate their identities, and the classical liberal approach to freedom of expression and association. My Adam Smith Institute report, ‘Nothing to Hide’ argued for making consent to legal acts the primary way of judging the legality of sexually explicit images. It prompted LGBTQ media to highlight the risks of the law for their audience, and to start quizzing the Home Office about how they intended the law to be used.
Initially, academic feminist proponents of the extreme porn ban, including Clare McGlynn, sought quite a broad application. They argued explicitly that the law should not apply to a narrow notion of harm but also to ‘cultural harm’ or the imputed indirect, social impact of the availability of pornography, not just those participating in the acts themselves). More recently, these proponents have accepted a greater role for consent in defining the limits of image prohibition.
They now focus on the problem of ‘revenge pornography’ (the non-consensual sharing of sexually explicit private images). In contrast to ‘extreme pornography’ and obscene publications in general, ‘revenge porn’ constitutes a personal violation and severe social problem that both liberals and feminists agree requires civil and criminal remedies. Fortunately, there has been some degree of agreement on where future criminal justice activity needs to be directed.
Criminal obscenity law is just one strand in a tangle of issues threatening sexual expression and freedom of expression in the UK. This change doesn’t do very much to make the government’s age verification system and broader surveillance of Internet access safe. It only marginally improves the legal protection of sex workers who use or offer online services. So there are a great deal more liberal reforms needed. Nevertheless, this success shows that campaigning, through legal challenges, protests and informed scholarship, can lead to genuine reform. I see this as a model for future campaigns aiming for greater personal liberty.
Dr David J Ley, a psychologist specialising in sexual matters, and especially pornography, has recently been at the receiving end of a barrage of online abuse, following the announcement he would be speaking at a conference on the treatment of adolescent sex offenders. Dr Ley (author of Ethical Porn For Dicks) was due to give a speech titled: “Promoting Responsible Porn Use in Youth and Adolescents”.
Sexual violence is highest in the adolescent age group. An influential study called Pornography, Rape and the Internet (PDF) found that pornography viewing appears to significantly reduce sexual violence in this age group:
“I find that the arrival of the internet was associated with a reduction in rape incidence. While the internet is obviously used for many purposes other than pornography, it is notable that growth in internet usage had no apparent effect on other crimes. Moreover, when I disaggregate the rape data by offender age, I find that the effect of the internet on rape is concentrated among those for whom the internet-induced fall in the non-pecuniary price of pornography was the largest – men ages 15-19″
So anyone with an interest in reducing sexual violence – one might assume – would have found Dr Ley’s talk informative and beneficial. But morality campaigners thought otherwise, and set out to get the talk cancelled.
The tweets varied from the infantile…
… to the murderous…
… and of course, someone managed to blame capitalism (because nobody EVER thought of wanking before Adam Smith wrote The Wealth of Nations)…
Ley’s Speech Cancelled
Following the abuse, and a letter-writing campaign to the conference organiser, Dr Ley’s invitation was withdrawn, and he will no longer be speaking at the event. The letters repeated standard myths about pornography, and contained veiled threats to disrupt the conference:
“You are hosting the porn industry. This is quite likely to increase sex trafficking at the hotel where hosting!
I certainly will raise my voice and bring women to protest this conference!!
We will protest the venue as well as the entire conference. Pornography does not help sexual offenders!
88% of porn is sexual violence!”
Sexual Repression is Harmful
We need to retake the moral high ground: We believe sexual repression is harmful. We believe sexual freedom reduces harm. The puritan left, like the religious right, would return us to the sexual dark ages, and that will be deeply harmful for everyone.
I’ve attended London’s Notting Hill Carnival most years since 1981. This year, like most, I went both days: Sunday with the family, Monday just to dance. Carnival showcases a West Indian culture that (unlike European cultures) shows no shame in blurring the line between dance and sex. And of course, this openness is bound to upset western sensibilities. Once, conservatives would have complained bitterly about the displays of sexuality, but the mantle of anti-sex puritanism has now been firmly taken over by the political left, and especially by parts of the feminist movement.
As an anti-censorship activist over the past decade, I began to notice about five years ago that anti-sex feminists had particular issues with black music and dance. I dedicated some time to documenting this in my book Porn Panic!
“Since their invention, music videos had come under fire from morality campaigners, but this was a phenomenon better known in the United States, with its powerful Christian right, than in Britain. Many of the attacks on popular music in America contained thinly-veiled racism. US Society was racially segregated for most of its history, until relatively recently, and most white Americans had had little contact with black Americans or their cultures, until the rise of music recording and radio. Although black artists were often boycotted by radio stations, white performers, from Elvis Presley onwards, began to copy black music, and young white people began to dance to it. Unsurprisingly, this infuriated white conservatives.
A 1960s circular from the Citizens Council of Greater New Orleans reads as follows:
“Help Save The Youth of America
DON’T BUY NEGRO RECORDS
(If you don’t want to serve negroes in your place of business, then do not have negro records on your jukebox or listen to negro records on the radio.)
The screaming, idiotic words, and savage music of these records are undermining the morals of our white youth in America.
Don’t Let Your Children Buy, or Listen To These Negro Records…”
Such a message shows more than hatred or anger: it reveals fear. As well as breaching the carefully constructed walls of racial segregation, black music and dance had caused a deeper concern: it was highly sexual. African dance had always been more ‘wild’ than the European equivalent. Now, as civil rights and anti-colonialism movements peaked, and segregation ended, continents were belatedly colliding. For the first time, black music entered mainstream Western culture. The dam broke. This was not a meeting of equals: African culture poured over white society like a tsunami.
Blues, jazz and rock and roll had just been the beginning. Now soul, hip hop, disco, reggae, dancehall, afrobeat, soca, dub, house, R&B, and many other genres sold records by the millions and entered the charts worldwide. By the turn of the century, it was hard to find music in the British charts that did not have some black roots.
And the videos that came with the music showed another African influence: clothing became skimpier, hips and backsides rolled in a way that white bodies had never before moved. As the moral panic against ‘sexualised’ music videos took root, it was not just a reaction to music; it was a reaction to blackmusic.
Black female artists came under particular attack during the Big Panic. Especially singled out for criticism were Beyoncé, Rihanna and Nicki Minaj. But far from apologise and cover themselves up, all three of these artists revelled in their displays of sexuality, and responded to attacks by becoming more ‘sexualised’, apparently taking enjoyment from taunting the mostly white, middle-class commentators that were attacking them. Beyoncé’s famous performance outfits became more revealing. Rihanna turned up to the 2014 Council of Fashion Designers Awards in a near-transparent dress, which generated an inevitable barrage of outrage. Minaj’s Anaconda video gave the finger to her critics, being a celebration of her famously rounded backside, and featuring the line, delivered as a parody of a prissy, white girl: “Oh. My. Gosh. Look at her BUTT!”
Prudish anger mounted, with article headlines such as “Don’t call Beyonce’s sexual empowerment feminism” trying to create a faux-liberal case for demanding that the singers cover themselves up. But there was no contest: three of the world’s most confident and talented black female performers could easily handle whatever the bloggers and journalists could dish out. Commentators were reduced to whining, inaccurately and patronisingly, that the singers were the ‘victims’ of a white, male-dominated capitalist music machine. The women, and their millions of fans, paid little attention.
Given how deeply rooted the Big Panic was in the political left, and that the anti-sex movement was dominated by white, middle-class women, endless overt attacks on black performers would begin to look suspiciously racist. A white target for the rage was needed. Enter Miley Cyrus.
Cyrus had committed multiple sins in the eyes of moralists. She had been a child star, and now had the nerve to grow up and become an attractive young woman. She appeared naked in the video for her single, Wrecking Ball, and, most outrageous of all, during a 2013 live TV performance, she twerked.
Although twerking was a fairly new term, it described a dance move that had been around for decades, if not centuries. Nobody who has seen videos for hip hop, dancehall, R&B or other black music styles could be unaware of the ways in which some black female dancers could move their hips, buttocks and thighs. I had been a happy witness to this at least since I started attending London’s Notting Hill Carnival and West Indian parties in my teens. It is hardly surprising that twerking provoked the backlash it did among so many commentators: the link between dance and sex had never been more obvious.
Now the anti-sex movement could finally take aim from the moral high ground. Object teamed up with black feminist group Imkaan, created an astroturf campaign to censor music videos called Rewind and Reframe, and, with help of the ever-supportive Guardian, began to insinuate that Cyrus’s twerking was not just sexist, but in some way racist too. Guardian journalist Hadley Freeman ludicrously complained that Cyrus had ‘culturally appropriated’ black people by daring to move her buttocks in a certain way, and having apparently worked herself into an angry froth, described the performance as a ‘minstrel show’. Under the guise of anti-racism, here was a white ‘liberal’ journalist doing what racists had done in the Deep South decades earlier: trying to stop black culture from being adopted by white people. In place of an exhortation not to buy ‘negro records’, the new left had found new language to express their discomfort that white kids were copying the dance moves of black artists.
Freeman’s real problem was revealed in the article when she wrote of Cyrus “…adding in a racial element while she copied the dance moves of strippers and bellowed her love of drugs”. Black people, nudity and drugs: the triumvirate that has upset white conservatives for centuries. She even dared to invoke (or appropriate, perhaps) Martin Luther King, ending the article by stating that she ‘had a dream’:
“I have a dream that female celebrities will one day feel that they don’t need to imitate porn actors on magazine covers and in their stage acts. I have a dream that the predominantly white music world will stop reducing black music to grills and bitches and twerking. And I have a dream that stupid songs about seducing “good girls” will be laughed at instead of sent to No 1.”
Freeman’s dream, of a world free of strippers, porn, drugs, good girls doing bad things, and white people doing black things, is hardly a progressive one. She could have found her dream in Selma, Alabama, in 1963, where King made his famous speech. If any article summed up the 21st century collapse of the left into ugly conservatism, this one did.
If it had appeared alone, Freeman’s article might have simply been a one-off piece representing her own views. But it was not: the Guardian was in campaign mode. The piece was handily followed and supported a couple of months later by an article from Imkaan’s Ikamara Larasi titled ‘Why must we accept the casual racism in pop videos?’, putting the boot in on Miley Cyrus once again, and adding the ‘authenticity’ of a black voice to Freeman’s messy argument (albeit a black voice with close links to Object). And in case we did not get the message, a month later Larasi wrote another Guardian piece, ‘Sexed-up music videos are everyone’s problem’. Beyond her two attacks on music videos, Larasi was not again seen in the Guardian; her work was done.
In addition to Freeman’s and Larasi’s contributions, the Guardian carried a surreal ‘news’ piece on the story that 73 year old Christian singer Cliff Richard also disapproved of Cyrus’s behaviour, and he “just hopes she grows out of it”.
However clumsy and quasi-racist it might have been, the Guardian’s attack on ‘sexualised music videos’ helped do the trick. It was never about convincing Cyrus fans – the goal was to put pressure on the UK authorities. Just one month after Larasi’s second article, in January 2014, the Guardian wrote in approving terms that the BBFC wanted to regulate (i.e. censor) music videos in the same way it did feature films. Of course it did: the BBFC, let us not forget, is a private business.
“Following the issuing of new classification guidance from the BBFC on Monday, the organisation’s assistant director, David Austin, said it was responding to pressure from parents who were concerned about the sexual imagery freely available to children who had access to the web…”
And a few months afterwards, in August 2014, the Prime Minister, David Cameron announced in a speech on (ominously) The Family that the government was backing censorship of music videos:
“From October, we’re going to help parents protect their children from some of the graphic content in online music videos by working with the British Board of Film Classification, Vevo and YouTube to pilot the age rating of these videos.”
The Big Panic had claimed a an important cultural scalp. Without any genuine public discussion or outcry, and certainly without any research showing that ‘sexualised music videos’ were causing any harm to anyone, music – and especially black music – would be subject to prurient censorship controls. The old Citizens Council of Greater New Orleans would be proud.”
This week’s protests to prevent a controversial speaker – Milo Yiannopolis – from speaking at the University of California at Berkeley, are a sad indictment of the of the state of progressive politics. The location of the incident, once the birthplace of a great liberal movement, makes for a sad comparison with the great radical era of the 1960s.
Those of us who were teenage activists in the 1980s felt we’d missed out on something. Our parents’ generation (at least, in our imaginations) had the civil rights movement, the great anti-Vietnam war protests, the hippy movement, Black Power and psychedelia. Their soundtrack was Marvin Gaye, Bob Dylan, Otis Redding, Joan Baez, Motown, Simon and Garfunkel. We had Reagan and Thatcher, mass unemployment, power ballads, and yuppies. They had great progressive victories, we got used to experiencing defeats.
We, children of a grey London that was run down and depressed after half a century of economic decline, dreamed of the California of the 1960s. I read Fabulous Furry Freak Brothers comics, and knew all about San Francisco’s famous Haight-Ashbury district, the centre of counterculture, although in reality, my entire experience of travelling outside Britain was limited to a couple of short trips to France.
And I read about the university campus at Berkeley, near San Francisco, the heartland of 1960s American radicalism; a radicalism which, already by the 80s, was ebbing away. In response to repression, Berkeley had been birthplace to the Free Speech Movement of 1964-65, which aimed to ensure that everybody on campus was given their right to speak. It was, in today’s terms, the mirror image of the current student obsession with “no platforming” (i.e. censoring) ideas considered unacceptable. While the movement was left wing, it is important to realise that it created a space for all political speech. As the Wiki page notes: “This applied to the entire student political spectrum, not just the liberal elements that drove the Free Speech Movement”.
Contrast this anti-censorship attitude with what happened this week. Milo Yiannopolis, a provocative speaker of the right, was due to talk about “cultural appropriation” – a bizarre, illiberal idea, now popular on the left, that access to culture should be segregated by race. “Cultural appropriation” popularises on the left an idea that the 1960s left stood firmly against: that people should be treated differently based on nothing but their skin colour or racial origin. It is a bullying and authoritarian ideology, and has resulted in racist incidents like a famous attack on a white man for the “crime” of wearing dreadlocks, and the cancellation of a reggae festival because too many white people were involved.
Milo is a well known shit-stirrer, and enjoys winding up easily-offended illiberal types. He’s annoying, often (but not always) wrong, and I’ve done my best to avoid him. Unfortunately, some on the left have decided instead to promote him, by protesting against him, having him no-platformed, or calling him a “Nazi” for no good reason. Thanks to these intolerant arseholes, we’ve had to put up with Milo being everywhere, and getting a lucrative book deal. Thinking about it, this is pretty much the same way that “liberals” helped Donald Trump reach power. Thanks guys.
Fans of George Orwell will enjoy what happened next. Milo (a gay, Jewish man), due to speak out against a racist, pro-segregationist ideology, faced protest by people calling him a “Nazi”. The talk was cancelled, and riots ensued. And (did I mention?) all this happened at Berkeley, once the home of the Free Speech Movement. Oh, and then Donald J Trump, perhaps the closest thing to a fascist ever elected in America, tweeted to defend free speech against attacks from left-wing Berkeley students. We live in the age of irony. Or perhaps the era of facepalm.
Western liberalism is facing its greatest threat since the 1940s, if ever. The far-right may soon seize control in France, the Netherlands and elsewhere in Europe. And if you’re expecting a defence of liberalism from the left, it seems you’ll be disappointed.
Free speech must be defended as a universal human right. Human rights cannot be stripped from people on the basis that they’re Muslims or Communists. Nor can they be stripped from people on the basis that they offend other people. The left will not defeat the fascist right by being more fascist than the right. That way lies tyranny.
We received news today that Fetlife.com, a cornerstone of the global kink community, has been forced to remove vast amounts of content in order to stay in business.
My book Porn Panic!, published last year, warns of an imminent attack on sexual freedom and free speech. These things don’t exist in a vacuum: they are proxies for liberties that have been taken for granted in the western world for decades. The sexual expression I defend isn’t that important in its own right: what’s important is that sexual expression is the stone on which wannabe dictators sharpen their knives.
Now, with the authoritarian Trump administration taking power, and the promise of Internet censorship coming to the UK this year, there can be little doubt where things are going. Only a couple of weeks ago, Backpage.com was bullied into closing down its adult services advertising in the United States. Now, the assault on Fetlife confirms the direction of travel. Hold onto your hats, because this is going to get very very rough, very very fast. To support this campaign against censorship, please donate or buy Porn Panic! and help spread the word.
Below is the full announcement issued by Fetlife this week:
John Baku @ Fetlife posts:
I have a lot to apologize for; I apologize for the cryptic announcement I made last Tuesday. I apologize for the deletion of 100s of groups and 1,000s of fetishes without any warning, let alone sufficient notice. I apologize for not making this announcement earlier and leaving everyone in the dark, and most importantly, I apologize for letting many of you down.
I wish we could have done things differently, but even upon reflection, I believe we did what we had to do to protect the community and FetLife with the information we had when we made each decision along the way.
Before making any decisions, we consulted with multiple parties. We consulted with the team, partners, financial institutions, the NCSF (National Coalition for Sexual Freedom), the FSC (Free Speech Coalition), lawyers, and anyone else we thought might have insight for us.
So, why did we make the announcement last Tuesday? Why did we remove some of the content we removed over the last 3-4 days? And, why didn’t we delete some of the content a lot sooner?
Everything falls under one of three categories: financial risk, legal risk, and community risk.
Let’s first talk quickly about the financial risk and get it out of the way because I don’t want it to detract from the high priority issues i.e. the legal and community risks.
The Financial Risk
A merchant account is what allows us to process credit cards on FetLife. The ads you see on FetLife covers the cost of approximately 1/2 the cost of our servers and bandwidth – that’s it.
Your support pays for the other half of the servers, plus the team that keeps FetLife up and running, lawyers, accountants, software, etc. So your support pays for the vast majority of FetLife’s monthly expenses.
Hence, without a merchant account, FetLife runs at a loss every month – and we are not talking a couple of dollars a month, we are talking significant losses.
Last Tuesday we got a notice that one of our merchant accounts was shutting us down. One of the card companies contacted them directly and told the bank to stop processing for us. The bank asked for more information, but the only thing they could get from the card company was that part of it had to do with “blood, needles, and vampirism.”
Like me, you are probably thinking, but they have to give you a good reason? No, no they don’t. The only thing they have to do is protect their interests sadly.
Because we couldn’t get any more information than that, we had to act quickly and preemptively protect our other merchant account by making changes to our content guidelines. But since we were very much in the dark, we didn’t think it would be a good idea to go into any more detail than we did at that point.
Three days later, we get another notice, this time from our other merchant account. They got a similar call from the same card company, and they were asked to close our account. This time they were told it was for “Illegal or Immoral” reasons.
Both of the bank’s compliance departments thought it was prudent to close our accounts down even though they were only contacted by one of the card brands so not to risk being fined from both card brands.
The banks maintain a shared list that contains all merchant account closings. The card brand also required the banks to add us to the list which will make it tough for us to ever get a merchant account again, at least for the foreseeable future.
Hence we can no longer process credit cards on FetLife and will most likely not be able to for a while.
The Legal Risk
Over the last five days, we’ve had the opportunity to speak to multiple organizations, each with part of the puzzle.
There are numerous things at play here:
A highly publicized rape case in Australia involving a member of the community;
An organization that participated in the anti-porn bill that wants to see sites like FetLife taken off the internet;
Talk of reviving the obscenity task force in the US;
The Digital Economy bill in the UK that’s being debated currently;
BPjM in Germany; and
We’ve been one of the most liberal, if not the most liberal, adult site on the web which makes us the perfect target;
We can put our heads in the sand, but that is both naive and irresponsible. All of the above have real legal risks attached to them with potentially equally real consequences. Maybe not to you directly but it does to FetLife, the team behind FetLife, and myself.
The Community Risk
The one thing that bonds us all together is our love for the kinky community. Without the kinky community, without sites like FetLife, many of us would not have a place to call home, a place in which we are accepted and understood, and dare I say a place in which we feel free to be ourselves.
If we hope to win the war, if we want our society to be more accepting of us, then we can’t give them a reason to vilify us. People always need someone to blame, and we need to stop making ourselves the easy target.
On what seems like a daily basis, we hear of another atrocious sex or hate crime committed against a fellow friend. And for every story we hear, there are tens of thousands we never hear about. As a community, we need to stop turning a blind eye.
One of the ways to do that is through defining a better list of guidelines that we live by as a community.
At first, it bothered me that we would have to tighten our rules because I felt I was letting people down. But after discussing potential changes with the NCSF, CFP, lawyers, and our merchant providers, I couldn’t help but be excited for the community and FetLife’s future.
Maybe I’m just a naive optimist, but I believe this is an opportunity for us to set the bar higher. These changes affect many of us, to one degree or another, but I think the sacrifices some of us will have to make will be worth it in the grand scheme of things.
Both FetLife and the NCSF believe that the proposed changes will give us the opportunity to flourish as a community while better protecting ourselves from outside attack.
With the help of the NCSF, lawyers, partners, and merchant providers, we came up with the following pillars that will make up our guidelines:
Nothing non-consensual (abduction, rape, etc.)
Nothing that impairs consent (drugs, alcohol, etc.)
No permanent or lasting damage (snuff, lacerations, deep cutting, etc.)
No hate speech (Nazi roleplay, race play, etc.)
Nothing that falls under obscenity (incest, etc. )
These guidelines aren’t intended to be a negative comment against your kink or your fantasies. Some things we believe can be done ethically, like CNC or hypnosis, but they can also be considered nonconsensual in a legal context, and we have to take into account the opinions of the authorities and merchant accounts as well to not only survive but thrive as a community.
Non-Consensual Deletion of Content from FetLife
Why did we act without first announcing changes and without first notifying anyone who would be affected? I know many of you might not believe me when I say this, but it was for our protection.
Yes, it was mainly for FetLife’s and my protection, and we had to act swiftly. One could easily argue that we didn’t move swift enough and that I shouldn’t even make this post because something in it might incriminate FetLife or me.
It’s always been a delicate balancing act. We try our best to balance the needs of individual members, the community as a whole, the team, and FetLife itself.
Everyone’s needs are not always balanced equally. Historically we’ve sided more with individual members needs, but what we’ve learned from recent events is that we need to start putting more weight on the safety of the community, FetLife, and the team behind FetLife – including my personal safety.
We are still going through FetLife to see if anything else needs to be removed or cleaned up. While going through this exercise, we are using the different situations we encounter to help us better define where we need to draw a line.
We hope to be able to publish our new content guidelines shortly as well as implement changes to caretaking so that we don’t ever find ourselves in a similar situation again.
After that, we need to work to repair any relationships we might have ruined with members both inside and outside the community.
A feminist campaign against Tyler the Creator, a hip hop artist, led to Theresa May banning him from touring the UK.
One of the core themes of my book Porn Panic! is the way in which feminism has become a force for censorship. While pro-censorship feminism began decades ago by attacking pornography as ‘misogynistic’, its scope has since broadened significantly. Now, any expression that might be labelled as misogynistic, or offensive to women, becomes a valid target for censorship.
One of the most shocking recent examples of feminism-as-censorship was the ban (by the then Home Secretary, Theresa May) on a popular hip hop artist, Tyler the Creator, from the UK. The following is an extract from Porn Panic!:
… The next ban of an ‘unsuitable foreigner’ was a breathtakingly pointless piece of cultural (and probably racial) bullying. Tyler the Creator, a young, black American hip hop artist was barred from the UK (where he had been planning to tour) in August 2015. The basis of the ban was that he had written and performed misogynistic and homophobic lyrics several years earlier, at the age of 18. There could have been no serious suggestion that Tyler was any kind of threat to anyone – especially since his lyrics were no longer of the crude kind that had once caused offence. But now, his mere physical presence was deemed to be a significant enough problem that he should be barred from entering the country.
The smell of witch-hunt was again in the air. Some primitive human fear instinct had elevated a young man who had once penned some unpleasant words to the status of kryptonite; merely being in his presence might turn young British men into violent rapists and homophobes! The ‘rape culture’ meme came into play. While rape is measurable, rape culture is not. It is the superstitious idea that rape somehow hangs in the air and infects people like a virus. Carriers must be quarantined.
The hand of pro-censorship feminism was again visible. Collective Shout, an Australian feminist group with a history of anti-porn campaigning, had already successfully petitioned to have Tyler banned from Australia based on his lyrics and alleged bad behaviour. The British ban merely rubber-stamped the earlier Australian decision. Where have all the racists gone? Leftward. They appear to have realised that lynching a black man is no longer OK; unless you first label him a misogynist. Then it’s fine.
Hip hop has long been a proxy for racism. It is a black artform that has lasted decades and grown from strength to strength. Although a creation of New York City, it encapsulates the African excellence in rhythmic, spoken word performance. It has elevated poetry to new heights and become the world’s most widely-adopted musical form, in every language. It is common to hear hip hop dismissed in its entirety as ‘cRap’ (geddit?) This makes no more sense than to dismiss all poetry, or all guitar music. Hip hop infuriates because it represents a global triumph of something uniquely African.
Small, forgettable events like the inexplicable travel ban on a young American man are litmus tests for our political system and societal attitudes. Our culture does not appear to be in a good place right now.
I have a confession: for many years, I was a loyal Guardian reader. At one point, prior to the arrival of smartphones and apps, I bought the paper, at a quid a time, perhaps three or four times a week. I always enjoyed, and wanted to support, its high quality, liberal-minded news coverage. It was saddening, therefore, to became aware of the deeply conservative slide the paper was taking, most of all when it came to the subject of sex. In the Guardian’s war on sexual expression, honest journalism at the paper has been sidelined, and bigoted opinions have appeared in place of fact. This bigotry hasn’t just been directed towards strippers, models and pornstars, but also has included deeply racist attitudes. I documented much of this in my book Porn Panic! (which is now available for pre-order on Amazon).
The Guardian’s descent into social conservatism dates back more than a decade. Brooke Magnanti – better known as Belle de Jour – who had blogged about her life as a sex worker, was awarded the Guardian’s blogger of the year award in 2003. She recounts in her book The Sex Myth that a group of Guardian journalists threatened to resign en-masse should she be offered a column. She instead went to write for the Telegraph. The irony that the right-wing paper was more accepting of sex work than the supposedly liberal Guardian was not lost on Magnanti.
In 2013, the paper published an editorial titled “Internet pornography: never again” in which it openly called for Internet censorship. The paper’s liberal values had been overruled by its hatred of sexual expression.
But porn is not the only area in which the Graun has succumbed to moral panic and pro-censorship attitudes. It has joined a far bigger and more worrying war on free expression. This time, the justification for censorship is the very Victorian idea that women are incapable of dealing with the same situations as men. Gender equality is under fierce attack, as it has been many times in history; this time, bemusingly, the attacks come from the political left. This massive assault on gender equality, and on free speech, began to rear its head a few years ago, and began with Twitter.
The War on Twitter
Twitter has long been hated by control freaks. Unlike Facebook, Twitter has been reluctant to censor the content of its posts. This has led the platform to be far edgier than Facebook, and thus more exciting and anarchic. The UK government first signalled its discomfort with free speech on this scale when it blamed Twitter, in part, for the UK riots of 2011. You get the message: free speech is all very well when you’re sending photos of kittens, but too much can be a dangerous thing. This is the age-old mantra of dictators and fascists, and it apparently never gets tired. Threats by David Cameron to provide a “kill switch” for emergency situations were thankfully ignored by Twitter, which is protected from state censorship by the First Amendment to the US Constitution.
The control freak tendency instead reached for the oldest trick in the book: Twitter’s free speech is a threat to womankind! The opportunity to play this card came when a journalist, Caroline Criado-Perez, was abused on Twitter. Now, here was the perfect victim: a photogenic, blonde, middle-class journalist. The press initially reported the abuse as if it had come from a multitude of people, implying that Twitter’s free speech policy was somehow turning hordes of men into misogynistic monsters, and coining the term “misogynistic Twitter trolls”.
Yet once the moral panic had dissipated, it turned out that the abuse received by Criado-Perez had largely originated from two people, and (inconvenient for the “MASSIVE MISOGYNY” narrative), the worst offender was a woman, Isabella Sorley. Furthermore, Sorley had 25 previous arrests, mostly for being drunk and disorderly. Here was a minor story of two unpleasant people – at least one of whom was probably mentally ill – sending horrible tweets to another person; but in the hands of the pro-censorship feminist lobby, it had become a false message that misogyny was everywhere, and that too much free speech can be a bad thing – at least, for ladies.
A line had been crossed: ugly, foul-mouthed working class people are not supposed to come into contact with nice, blonde, middle-class ladies. When the two were imprisoned for their speech crime, the press was notably silent in questioning the sentences.
The Criado-Perez case set a precedent, and suddenly feminist commentators were climbing over each other to discover widespread online misogyny. The only problem with this “analysis” was that beyond anecdotes, there was no evidence to be found that women were being systemically targeted more than men. Indeed, when Demos carried out comprehensive research into abuse on Twitter, it was found that men were far more likely to be targeted than women.
This mirrored the situation with real-world violence, which men are far more likely to experience than women. Indeed, in a rare moment of clarity a 2008 Guardian article stated:
“Although it is the attacks on young women that we are most likely to respond to, it is young men who, overwhelmingly, are victims of violence (as the stories of knife attacks over the past year so well illustrate).”
This is hardly a radical new idea: we know that men are more likely to experience violence, and always have been. Despite this, neo-feminists have chosen to cherry-pick evidence to fit their “massive systemic misogyny” narrative. In other words, it isn’t that women are being targeted: it’s just that women are considered weaker and less capable of handling things that should be the preserve of men. This is, of course, not a feminist message at all: gender equality was once the core thing that feminists believed in, and the infantilisation of women was frowned upon. But from the 80s onward, the feminist movement has become ever more conservative in its attitudes, to the extent that it now largely opposes feminist positions from the 1960s. 1960s feminists argued that women were capable of handling any situation that men could. 2016 feminists disagree.
The neo-feminist view of women, while being nothing like the second-wave feminist view, is remarkably similar to the Victorian one. In Victorian times, women were considered to be frail creatures, prone to “hysteria”, “lunacy” and prone to fainting. Thus, they could not possibly be expected to handle gender equality. Since the Women’s Lib era, there have been frequent campaigns by conservatives to put women back in their place. What has changed is that now, the conservatives are on the political left, and call themselves feminists. The old forces that resisted gender equality – such as the Tory Party and the Daily Mail – have been replaced by new ones, including the Labour Party and the Guardian.
As demonstrated by violence statistics and the Demos study of online abuse, the feminist claim that women suffer more abuse than men is simply false. This is a huge problem for a movement whose single message is that women are “oppressed” by “patriarchy” and “structural misogyny”. Quite simply, if there did exist widespread hate of women by men, then women would suffer more violence and online abuse than men, not less.
And now, enter the Guardian to save the day. Last week, the paper published its own study into online abuse, and unlike any previous study, it found that women were, indeed, more likely to be victims. The study (and accompanying daily drumbeat of moral panic) was chillingly titled “The Web We Want” (“we”, meaning Oxbridge-educated Guardian journalists). Here was the Guardian in campaign mode, pretending to be publishing news but in reality whipping up a Daily Mail-esque moral panic over free speech:
“…along with online camaraderie, the vituperative modes of interaction took hold: bullying, shaming and intimidation… For women it frequently assumes a particularly violent and sexualised form, sometimes extending to public rape threats; for ethnic minorities it is often racist.”
In a nutshell, here is the methodology of the conservative left: attack free expression, but using left-wing language. Don’t say “Christian family values are under threat”, say “OMG people are being sexist, racist and homophobic! We must stop them!”
But it is, indeed, puzzling that the Guardian’s findings overturn conventional wisdom. Puzzling that is, until the methodology is examined: it is simply laughable. The explanation is packed with irrelevant technical detail (they used Postgres database software, and wrote scripts in Perl – so what?) which apparently is only included to distract the reader from the important bit. The entire article contains one useful, and very revealing, sentence:
“In our analysis we took blocked comments as an indicator of abuse and/or disruption”
So the reasoning is entirely circular, and hugely dishonest. Guardian moderators, acting (one presumes) under Guardian policy, block posts they subjectively consider to be sexist, racist and homophobic. They then examine the blocked posts and (shock horror!) discover they are largely sexist, racist and homophobic. The newspaper is guilty of the worst sort of misinformation: making a headline claim and then providing small print that doesn’t back it.
This is far from being the Guardian’s first campaign for censorship – it has actively campaigned for porn, “sexualised” imagery and (black) music videos to be censored. But this is the broadest attack so far, targeting the very basis of online free speech. Furthermore, the moral panic is obviously carefully planned and orchestrated, with day-by-day updates. Unsurprisingly, a Labour voice has now joined the campaign, with an Orwellian call by Yvette Cooper for “greater monitoring of online harassment”. Labour MP John Mann is already on record as calling for internet bans on “trolls”: crushing people’s right to speak out if the authorities consider them unsavoury. The implications for controversial political speech are profound.
Little of this could fly in America, where free speech has been protected since 1789. But speech in Britain has no such protection, and so (as predicted by George Orwell in 1984) is a soft touch for “nice” censorship, designed by a paternalistic state to protect us from ourselves.
My book Porn Panic!, which documents sexual prudery, the decline of the progressive left, and the rise of a new fascism, is now available for pre-order on Amazon UK and Amazon US.
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