Last week, a YouTuber known as Count Dankula was found guilty, in a Scottish court, of being “grossly offensive”. He had published a video of his girlfriend’s pet pug doing Nazi salutes in response to anti-semitic remarks. I argue that attack on comedy are a sign that free speech is under grave threat, and that this trial has done nothing to make Jews, or other minorities, safer.
Yesterday, BBC Radio 5 Live dedicated an hour to discussing the alleged threat posed to public health by pornography. The programme made little attempt to ask balanced questions, or examine any evidence beyond the anecdotal. Instead, it was premised on the assumption that porn poses a threat to society, and that “something must be done”.
I was invited on to the programme to discuss the issue. Before I joined the discussion, I listened with incredulity as a BBC-approved, evidence-free anti-sex moral panic was broadcast to the nation. I was eventually added to the discussion, and did my best to counter the misinformation, though no real time was allowed for discussion of solid evidence.
On Wednesday 7th March, I appeared in a debate on Nolan Live, one of Northern Ireland’s most popular TV shows. My opponent, Mary Sharpe, comes from an anti-porn organisation that (falsely) claims expertise in neuroscience.
If you’d like to support my campaign against censorship, sexual shaming, moral panic and anti-science bullshit, you can join my new Patreon campaign. Even a £ or two a month will help me build the campaign.
I wrote this article 5 years ago, as I began to realise the extent of anti-science attitudes that were rising on the left, especially regarding gender behaviours. Men and women make different choices – not because of “Patriarchy”, but biology. This isn’t to say, of course, that social pressures don’t also change and exaggerate differences. But to claim that ALL differences in gender behaviours are “socially constructed” is, quite simply, a myth.
Why Don’t Women Hunt? Sex Work: The New Civil Rights Struggle
Recent debates about sex and sexuality, in the context of moral panics and attempts at censorship, have revealed a lack of understanding among “experts” of the core subject itself: human sexuality. Perhaps that’s not too surprising, given how taboo sex has been – and still is, for many.
Both left and right have found themselves equally drawn into the panic, each one imposing its own values on sexuality. Meanwhile, scientific understanding of the subject develops rapidly, and undermines the assumptions and dogma of both sides. The left rejoiced when it was discovered that homosexuality is ubiquitous in the animal kingdom. This demonstrated both that homosexuality is natural, evolved behaviour (rather than a modern-day “sin”) and that sex is about far more than procreation: it appears to have social and health purposes too.
But new research also undermines left-wing dogma. Many on the left are as keen to demonise prostitution as the right are to attack homosexuality. The existence of prostitution is blamed on “Capitalism” or the ethereal “Patriarchy”. And yet, we are discovering that the sex trade too has its origins deep back in nature. Conservatives on both sides of the political spectrum are keen to paint the animal kingdom as “innocent”, while we humans have somehow polluted and twisted our idea of sexuality in modern times. It is a deeply conservative view of the world – that somehow our ancestors were pure and unsullied, while modern society is dirty and tainted.
It becomes increasingly clear that all widespread sexual behaviours – including homosexuality, masturbation, prostitution and rape – are inheritances from our animal past. That we are still struggling to accept the first three, and eliminate the fourth, is a measure of how young our civilisation really is.
The evolution of gender created a massive imbalance in nature. Males (of any species) are designed to create vast numbers of offspring, while females can have relatively few. In humans, men have been known to father hundreds of children (and theoretically could father thousands), while a woman can manage – at great cost – a few dozen. The same imbalance exists across all sexual species, both plant and animal.
Economics take over. Such an imbalance of supply and demand will have consequences. A fertile human egg has huge value to a male, while sperm (as any young man or woman can tell you) are so common as to be almost worthless. Masturbation is one way in which the imbalance can be corrected, and this, too, is common in nature.
The anthropologist and author of some wonderful books, Jared Diamond, published a small book called Why Is Sex Fun, featuring a chapter titled Why Do Men Hunt? Here’s the spoiler: it’s not for nutrition. There are easier and safer ways to get good nutrition from plants and small animals. Men (in early societies) hunt because they can trade the meat for sex. Diamond shakes his head at the way in which successful hunters that he has studied, in tribal societies, use their catch to spread their seed around the village.
Diamond looked at the male perspective, but the corollary is: Why Don’t Women Hunt? I put a similar question to a “liberal” in a Twitter discussion, and they told me it was because The Patriarchy oppresses women, making them stay home and cook. And yet hunting is hard and dangerous. Cooking in the village is not. Similarly, in all modern societies, men take on the most dangerous jobs: soldier, fisherman, security, construction, late-night taxi driving, etc. Men have lower life expectancies than women, partly because they are far more likely to die from violence or accidents. Could The Patriarchy have its wires crossed? Why is it sending men off to do the nastiest, most dangerous jobs?
Just as the answer to Why Do Men Hunt? is: to increase their chances of having sex, so the answer to Why Don’t Women Hunt? is: because they don’t have to. Sex is the oldest commodity of them all, and female sex is far more valuable than male. The first commercial transaction between two humans was almost certainly a gift of food from a man to a woman in exchange for sex: people had nothing else to trade in pre-civilised times.
This isn’t human behaviour. It’s sexual behaviour. In an experiment in 2008, an economist introduced monkeys to the concept of currency, and they swiftly responded by inventing prostitution (to the great surprise of the researcher).
So how would men respond to this unfairness of nature? It’s obvious in hindsight: men would seize ownership of female sexuality and take it for themselves. The Bible is full of laws to enforce just this: laws which make a daughter the property of her father, to be sold in marriage to a man. Laws which punish rape as a property crime against a father, not a crime of violence against a girl. Female fertility, humankind’s most valuable possession, was stolen by men.
And now, beginning in the past couple of centuries, women are reclaiming their bodies. As women take back control of their own fertility – via their right to sleep with who they want, their right to contraception and abortion, and, still most contentiously, their right to sell sex – they have created a shock through a male-dominated economic order that is many centuries old.
Those who cling to the old order attack sluts, contraception, abortion and prostitution, not because they want to protect women, but because they want to restrain female economic power. They claim that these things weaken, rather than strengthen, women, and (in order to protect the poor, delicate things) they must be outlawed.
Progressives claimed the right to “sluttishness”, to contraception and abortion in the last great culture clashes of the 1960s. Today, front-line battles are being fought by sex workers against prejudice, hate and stigma. Conservatives are manning the barricades against them – and many of these conservatives have adopted liberal language, falsely linking prostitution to trafficking, and claiming to be saving, rather than attacking sex workers. This “saving fallen women” mantra is, of course, an old trick, often employed to keep women in their place.
This is the civil rights battle of the 21st century, and it demarcates the modern line between conservatism and progressivism.
I’ll be speaking about the Porn Panic (the new war on sexual freedom and free expression) to the “Jordan Peterson Gentlemen’s Philosophy Meetup”, tomorrow evening. The event appears to be popular, so please RSVP if you intend to come.
The event isn’t directly related to Jordan Peterson, but was set up by some of his admirers. For those who don’t know, he’s a professor of Psychology and author who has recently gained notoriety for his defence of free speech and evidence-based discussion. His recent, bewildering, interview with Cathy Newman for Channel 4 News is worth watching: Newman appeared to repeatedly attempt to twist Peterson’s words and cast him (inaccurately) as an opponent of gender equality. The discussion – on why men and women make different choices and have differing outcomes – illustrates the cutting edge of science versus dogma – the new Darwinism vs Creationism. The fact that science is now regarded with suspicion by the political and media mainstream has deeply worrying implications, and is one of the issues I touch on in my book.
I’ve also created a Patreon campaign to help support my campaigning work. If you support my campaign against censorship and sexual repression, a small monthly contribution will help me create more content and speak at more events. I think we live in dangerous times – if you agree, please help me spread the word.
This podcast contains two interviews I did in 2012, with “Shelley” and “Edie”, two strippers-turned-activists. In hindsight, these interviews are important, because they mark the point when a small feminist morality movement began to grow. In Edie’s words, the strippers were “the canaries in the coalmine”. The attacks on strip clubs may have seemed irrelevant to most people, but they were followed by far bigger attacks on free expression in the subsequent years. You can also find this podcast on YouTube.
Thanks to a supporter who contacted me via my Facebook page, I discovered that my book Porn Panic! has been briefly discussed on a Facebook feminist group called Level Up. Which is nice – except that the discussion is deeply inaccurate, and handily illustrates some of the deep problems within the identity-obsessed left that my book identifies.
I should point out here (to anyone poised to suggest that my taking issue with feminism is “sexist”) that the book has been well reviewed by female reviewers and readers, including this lovely tweet received today:
So anyway, the Level Up thread (shown in this screenshot) begins by complaining that Porn Panic! conflates “objecting to the objectification of female bodies with censorship” (followed by a sad/angry face).
It then proceeds with a series of increasingly wrong claims. I applied to join the group in order to respond (politely, of course!) but it’s looking like my application is being overlooked. Hence this post.
Having been branded everything from a Nazi to a misogynist and (this week’s favourite insult) an alt-right sympathiser, I think it becomes ever more important to correct false claims.
Do I conflate objecting about objectification with censorship?
Yes, pretty much. Not directly, but by pointing out that claims of “objectification” invariably come along with “something must be done!” demands. The deeper point is that objectification itself is a dodgy concept, suggesting that one woman can demand another woman’s image be removed, simply on the basis they’re both women. So a model doesn’t have a right to work, because feminists demand a right for no woman, anywhere, to be “objectified”. It’s nonsense, of course – the only person who has a right to decide where her image is seen is the person who owns the body in the image, not random strangers. “Objectification” has become an excuse for bullies to attack the right of women to self-expression.
Do I claim feminism is a driving force for censorship?
Yes, very much so. The poster complains that I equate censors with “feminists complaining about sexism”. That’s not very accurate, except in the sense that some feminists don’t know the difference between sexism and sexual expression. So when a feminist says “sexualised music videos are sexist and something should be done!” then really they’re saying “erotic images of women are harmful and must be censored”. Porn Panic! documents many real-life examples of this behaviour.
Am I connected with Spiked?
A commenter responds: “A quick google suggests that the author is connected with the vile brigade of Spiked”. Quick googling has replaced genuine research for many people online. I can only assume she found a review of my book in Spiked. But then, the book has also been reviewed (favourably) by feminist bloggers, and nobody’s suggested this connects me to feminism.
Are Spiked vile? “Vile” is one of those words that identitarians (including feminists) seem to throw around with abandon. Spiked is an interesting publication, with roots in the far-left Revolutionary Communist Party, but currently is a blend of liberal/libertarian and other viewpoints. I support the excellent Spiked defence of free speech, which is desperately needed in these censorious times. Spiked is refreshingly radical on other issues too, though we part company on issues like Brexit (I’m a staunch remoaner).
Have Zero Books gone all libertarian?
The commentor goes on to say: “…Zero Books which used to be a very interesting publisher has been literally taken over by the Spiked/Institute of Ideas crowd and they seem to publish little else than their questionable ‘libertarian’ stuff…”
I’m incredibly proud to have been published by Zero Books. They’re a left-wing imprint that (unlike much of the left) hasn’t been gripped by authoritarian or identitarian viewpoints. My publisher Douglas Lain seems to be one of the few Marxists left in the world who knows what Marxism is; and though I no longer call myself a Marxist, it’s important to differentiate between Marx’s ideas and the claptrap spouted by most “Marxists”. I’m also an ex-leftie left distraught at the atrociously reactionary state of the political left, so Zero Books is my ideal publisher. Unlike many on the left, ZB looks for intelligent viewpoints from many sides for their podcast and YouTube channel. They have not “literally” been taken over by Spiked, Institute of Ideas (which is linked to Spiked) or libertarians.
Freeze Peach is bad, m’kay?
The poster replies: “Eurgh yeah I’ve seen way too much of Spiked moaning about freeze peach on university campuses. They can’t even be bothered to find out what freedom of speech entails” – which is pretty hilarious, as she goes on to say “…no platforming is people demonstrating freedom of action!” (No Platform being one of the most blatant forms of censorship now prevalent on the left).
“Freeze Peach” is a way of sneering at free speech that has become fashionable among lefties (the fact they need to sneer at free speech at all is revealing). Ironically, I even mention the term in my book:
“Free speech, once the bedrock of liberalism, has – quite literally – become a dirty word on the political left. For a while in 2014, it even became fashionable for some online activists to mock the defence of free speech as FREEZEPEACH, using the argument that free speech cannot be allowed while some groups remain oppressed. The argument is a circular one, because in the swamp of identity politics, some groups are deemed to be permanently oppressed, by definition. So the argument goes: all women are oppressed; all men are privileged; therefore men cannot have free speech, because they use it to oppress women.”
I’d welcome the chance to discuss these points further via the Level Up group or elsewhere. You know where to find me!
Dr David J Ley, a psychologist specialising in sexual matters, and especially pornography, has recently been at the receiving end of a barrage of online abuse, following the announcement he would be speaking at a conference on the treatment of adolescent sex offenders. Dr Ley (author of Ethical Porn For Dicks) was due to give a speech titled: “Promoting Responsible Porn Use in Youth and Adolescents”.
Sexual violence is highest in the adolescent age group. An influential study called Pornography, Rape and the Internet (PDF) found that pornography viewing appears to significantly reduce sexual violence in this age group:
“I find that the arrival of the internet was associated with a reduction in rape incidence. While the internet is obviously used for many purposes other than pornography, it is notable that growth in internet usage had no apparent effect on other crimes. Moreover, when I disaggregate the rape data by offender age, I find that the effect of the internet on rape is concentrated among those for whom the internet-induced fall in the non-pecuniary price of pornography was the largest – men ages 15-19″
So anyone with an interest in reducing sexual violence – one might assume – would have found Dr Ley’s talk informative and beneficial. But morality campaigners thought otherwise, and set out to get the talk cancelled.
The tweets varied from the infantile…
… to the murderous…
… and of course, someone managed to blame capitalism (because nobody EVER thought of wanking before Adam Smith wrote The Wealth of Nations)…
Ley’s Speech Cancelled
Following the abuse, and a letter-writing campaign to the conference organiser, Dr Ley’s invitation was withdrawn, and he will no longer be speaking at the event. The letters repeated standard myths about pornography, and contained veiled threats to disrupt the conference:
“You are hosting the porn industry. This is quite likely to increase sex trafficking at the hotel where hosting!
I certainly will raise my voice and bring women to protest this conference!!
We will protest the venue as well as the entire conference. Pornography does not help sexual offenders!
88% of porn is sexual violence!”
Sexual Repression is Harmful
We need to retake the moral high ground: We believe sexual repression is harmful. We believe sexual freedom reduces harm. The puritan left, like the religious right, would return us to the sexual dark ages, and that will be deeply harmful for everyone.
We welcome back stripper, activist and blogger Stacey Clare, who reports that Islington council has bravely “rescued” some male strippers from being objectified and exploited in a London venue.
The men of Adonis Cabaret have been saved from a lifetime of exploitation at Club Aquarium!
Last weekend, on Saturday 23rd of September, licensing officials from Islington Council attended a male strip show, which was found to be in breach of local by-laws. The Adonis Cabaret, a “male stripper troupe”, who were resident at a well-know nightclub on Old St. in London for several years, were found to have been exploiting men every weekend, forcing them to flash their genitals for the titillation of hundreds of women.
Men have been earning thousands of pounds from stripping, often using the money to support their steroid and cosmetic surgery addictions. Others have been spending their earnings on lavish lifestyles, posting photos from luxury holidays and expensive shopping trips on social media. One male stripper posed with his mum on a yacht, drinking champagne. It is estimated that male strippers earn on average £2k from gyrating their hips.
During their premises inspection, the licensing officials sat all the way through a two-hour long performance, right up to the very end, in order to catch the ensemble flouting a local licensing regime that forbids full nudity, as they waved their willies in the direction of the audience. Licensing laws were changed in 2009 to protect the public from the spread of an industry that is responsible for modern slavery and human trafficking.
Club Aquarium, famous for it’s indoor swimming pool and late license, may seem like any other conventional venue, but within it’s subterranean walls it hid a dark secret. Just as one would stare at underwater creatures on a trip to SeaWorld, customers at Club Aquarium are encouraged to view men’s bodies as a commodity. There is nothing to alert unsuspecting passers-by to the nature of this seedy underworld; any normal, healthy person on foot would be fooled into thinking it was a regular discotheque. But every Saturday night drunken hoards of women arrived in their hundreds, joining parties of gay men to queue up for their seats at the so-called cabaret.
The Adonis Cabaret website is a lurid display of oiled up flesh, men pose in degrading outfits to be sexually objectified by the female gaze and gays. “The UK’s Hottest Ladies night” is how the men, aged between 18 and 50, are touted online. Their “unbeatable fun party package” includes “free yummy buffet…the sexiest lads…interactive variety acts…Sing-a-long”. Commercial sexual exploitation of men has become as normal as a Karaoke bar or All-You-Can-Eat smorgasbord. On arrival to the venue young frightened looking men with rippling chests provide a meet-and-greet; a chance for the consumers of these so-called “services” to grope and fondle the “entertainers”, all under the guise of taking a selfie.
When the show starts the mood among the audience turns to a more predatory atmosphere. Where the men were earlier viewed as sex-objects, they now become veritable pieces of meat, to whom the women in the rows of seats feel entitled. Men are pushed onstage by a thuggish, so-called drag queen, and are made to perform sexualized dance routines, entirely for the pleasure of the onlookers. The finale of each show, a flash of engorged genitals, is the ultimate form of sexual objectification – a spectator sport for the mostly female viewers of this so-called entertainment.
For the attendees it’s all bit of light-hearted fun right? An excuse to ogle at fit blokes while they appease the audience with a tantalising striptease. But the human cost of this type of entertainment goes largely ignored. New evidence revealed recently found that more than a half a million men, mainly immigrants, are working in the sex industry and in brothels and have been trafficked or coerced in some way or other.
One Eastern European man using the name ‘Mike’ said, in broken English “I was working out in the gym one day, when a nice friendly guy approached me. He said I could get work as a dancer in the UK and earn thousands. He was really nice to me, and I trusted him. He paid for my flights and brought me to the country, it was really like a dream. Next thing I knew I was put in a room with all these massive guys in thongs. Their muscles were bulging. They gave me some fake tan and some porn, and told me to get myself hard; showed me how to use a rubber band as a cock-ring to keep myself erect. Suddenly I was on stage, about a thousand women were screaming and grabbing at me, tearing my clothes off. My life is ruined. Things will never be the same now.”
The normalisation of viewing men as sex objects has had a devastating affect on the locality as women leaving the show have sexually harassed normal, healthy men passing by the club. “I’m too afraid to walk down Old St. now” said one 26 year-old man, who preferred not to be named. “I feel intimidated and fearful at night, it’s like the streets are not safe for me anymore”.
The male strip clubs are a growth industry in the UK, worth an estimated £10bn. However, researchers say that the cost to our so-called economy is probably greater. For now, the men of Adonis Cabaret can breathe a sigh of relief; having been released from their gruelling routine of working one day per week, they now have the freedom to figure out how to pay next months rent by going back to normal lives, working a 60 hour week on minimum wage.
I’ve attended London’s Notting Hill Carnival most years since 1981. This year, like most, I went both days: Sunday with the family, Monday just to dance. Carnival showcases a West Indian culture that (unlike European cultures) shows no shame in blurring the line between dance and sex. And of course, this openness is bound to upset western sensibilities. Once, conservatives would have complained bitterly about the displays of sexuality, but the mantle of anti-sex puritanism has now been firmly taken over by the political left, and especially by parts of the feminist movement.
As an anti-censorship activist over the past decade, I began to notice about five years ago that anti-sex feminists had particular issues with black music and dance. I dedicated some time to documenting this in my book Porn Panic!
“Since their invention, music videos had come under fire from morality campaigners, but this was a phenomenon better known in the United States, with its powerful Christian right, than in Britain. Many of the attacks on popular music in America contained thinly-veiled racism. US Society was racially segregated for most of its history, until relatively recently, and most white Americans had had little contact with black Americans or their cultures, until the rise of music recording and radio. Although black artists were often boycotted by radio stations, white performers, from Elvis Presley onwards, began to copy black music, and young white people began to dance to it. Unsurprisingly, this infuriated white conservatives.
A 1960s circular from the Citizens Council of Greater New Orleans reads as follows:
“Help Save The Youth of America
DON’T BUY NEGRO RECORDS
(If you don’t want to serve negroes in your place of business, then do not have negro records on your jukebox or listen to negro records on the radio.)
The screaming, idiotic words, and savage music of these records are undermining the morals of our white youth in America.
Don’t Let Your Children Buy, or Listen To These Negro Records…”
Such a message shows more than hatred or anger: it reveals fear. As well as breaching the carefully constructed walls of racial segregation, black music and dance had caused a deeper concern: it was highly sexual. African dance had always been more ‘wild’ than the European equivalent. Now, as civil rights and anti-colonialism movements peaked, and segregation ended, continents were belatedly colliding. For the first time, black music entered mainstream Western culture. The dam broke. This was not a meeting of equals: African culture poured over white society like a tsunami.
Blues, jazz and rock and roll had just been the beginning. Now soul, hip hop, disco, reggae, dancehall, afrobeat, soca, dub, house, R&B, and many other genres sold records by the millions and entered the charts worldwide. By the turn of the century, it was hard to find music in the British charts that did not have some black roots.
And the videos that came with the music showed another African influence: clothing became skimpier, hips and backsides rolled in a way that white bodies had never before moved. As the moral panic against ‘sexualised’ music videos took root, it was not just a reaction to music; it was a reaction to blackmusic.
Black female artists came under particular attack during the Big Panic. Especially singled out for criticism were Beyoncé, Rihanna and Nicki Minaj. But far from apologise and cover themselves up, all three of these artists revelled in their displays of sexuality, and responded to attacks by becoming more ‘sexualised’, apparently taking enjoyment from taunting the mostly white, middle-class commentators that were attacking them. Beyoncé’s famous performance outfits became more revealing. Rihanna turned up to the 2014 Council of Fashion Designers Awards in a near-transparent dress, which generated an inevitable barrage of outrage. Minaj’s Anaconda video gave the finger to her critics, being a celebration of her famously rounded backside, and featuring the line, delivered as a parody of a prissy, white girl: “Oh. My. Gosh. Look at her BUTT!”
Prudish anger mounted, with article headlines such as “Don’t call Beyonce’s sexual empowerment feminism” trying to create a faux-liberal case for demanding that the singers cover themselves up. But there was no contest: three of the world’s most confident and talented black female performers could easily handle whatever the bloggers and journalists could dish out. Commentators were reduced to whining, inaccurately and patronisingly, that the singers were the ‘victims’ of a white, male-dominated capitalist music machine. The women, and their millions of fans, paid little attention.
Given how deeply rooted the Big Panic was in the political left, and that the anti-sex movement was dominated by white, middle-class women, endless overt attacks on black performers would begin to look suspiciously racist. A white target for the rage was needed. Enter Miley Cyrus.
Cyrus had committed multiple sins in the eyes of moralists. She had been a child star, and now had the nerve to grow up and become an attractive young woman. She appeared naked in the video for her single, Wrecking Ball, and, most outrageous of all, during a 2013 live TV performance, she twerked.
Although twerking was a fairly new term, it described a dance move that had been around for decades, if not centuries. Nobody who has seen videos for hip hop, dancehall, R&B or other black music styles could be unaware of the ways in which some black female dancers could move their hips, buttocks and thighs. I had been a happy witness to this at least since I started attending London’s Notting Hill Carnival and West Indian parties in my teens. It is hardly surprising that twerking provoked the backlash it did among so many commentators: the link between dance and sex had never been more obvious.
Now the anti-sex movement could finally take aim from the moral high ground. Object teamed up with black feminist group Imkaan, created an astroturf campaign to censor music videos called Rewind and Reframe, and, with help of the ever-supportive Guardian, began to insinuate that Cyrus’s twerking was not just sexist, but in some way racist too. Guardian journalist Hadley Freeman ludicrously complained that Cyrus had ‘culturally appropriated’ black people by daring to move her buttocks in a certain way, and having apparently worked herself into an angry froth, described the performance as a ‘minstrel show’. Under the guise of anti-racism, here was a white ‘liberal’ journalist doing what racists had done in the Deep South decades earlier: trying to stop black culture from being adopted by white people. In place of an exhortation not to buy ‘negro records’, the new left had found new language to express their discomfort that white kids were copying the dance moves of black artists.
Freeman’s real problem was revealed in the article when she wrote of Cyrus “…adding in a racial element while she copied the dance moves of strippers and bellowed her love of drugs”. Black people, nudity and drugs: the triumvirate that has upset white conservatives for centuries. She even dared to invoke (or appropriate, perhaps) Martin Luther King, ending the article by stating that she ‘had a dream’:
“I have a dream that female celebrities will one day feel that they don’t need to imitate porn actors on magazine covers and in their stage acts. I have a dream that the predominantly white music world will stop reducing black music to grills and bitches and twerking. And I have a dream that stupid songs about seducing “good girls” will be laughed at instead of sent to No 1.”
Freeman’s dream, of a world free of strippers, porn, drugs, good girls doing bad things, and white people doing black things, is hardly a progressive one. She could have found her dream in Selma, Alabama, in 1963, where King made his famous speech. If any article summed up the 21st century collapse of the left into ugly conservatism, this one did.
If it had appeared alone, Freeman’s article might have simply been a one-off piece representing her own views. But it was not: the Guardian was in campaign mode. The piece was handily followed and supported a couple of months later by an article from Imkaan’s Ikamara Larasi titled ‘Why must we accept the casual racism in pop videos?’, putting the boot in on Miley Cyrus once again, and adding the ‘authenticity’ of a black voice to Freeman’s messy argument (albeit a black voice with close links to Object). And in case we did not get the message, a month later Larasi wrote another Guardian piece, ‘Sexed-up music videos are everyone’s problem’. Beyond her two attacks on music videos, Larasi was not again seen in the Guardian; her work was done.
In addition to Freeman’s and Larasi’s contributions, the Guardian carried a surreal ‘news’ piece on the story that 73 year old Christian singer Cliff Richard also disapproved of Cyrus’s behaviour, and he “just hopes she grows out of it”.
However clumsy and quasi-racist it might have been, the Guardian’s attack on ‘sexualised music videos’ helped do the trick. It was never about convincing Cyrus fans – the goal was to put pressure on the UK authorities. Just one month after Larasi’s second article, in January 2014, the Guardian wrote in approving terms that the BBFC wanted to regulate (i.e. censor) music videos in the same way it did feature films. Of course it did: the BBFC, let us not forget, is a private business.
“Following the issuing of new classification guidance from the BBFC on Monday, the organisation’s assistant director, David Austin, said it was responding to pressure from parents who were concerned about the sexual imagery freely available to children who had access to the web…”
And a few months afterwards, in August 2014, the Prime Minister, David Cameron announced in a speech on (ominously) The Family that the government was backing censorship of music videos:
“From October, we’re going to help parents protect their children from some of the graphic content in online music videos by working with the British Board of Film Classification, Vevo and YouTube to pilot the age rating of these videos.”
The Big Panic had claimed a an important cultural scalp. Without any genuine public discussion or outcry, and certainly without any research showing that ‘sexualised music videos’ were causing any harm to anyone, music – and especially black music – would be subject to prurient censorship controls. The old Citizens Council of Greater New Orleans would be proud.”