Tag Archives: london

September’s Sex & Censorship Events

September looks to be a busy month for me, in part because of the recent publication of Porn Panic!

I’ll be taking part in events in London, Birmingham and Exeter, as well as online. This schedule is liable to change. To stay up to date, please follow on Twitter, Like the Facebook page, or join the mailing list.

Tuesday 6th September London (Greenwich)

I’ll be signing my book, and reading from it, between 17:30 and 19:30, at Waterstones in Greenwich. Waterstones will be kindly providing wine, and we’ll likely migrate to a pub afterward (the Duke is an easy 10 minute walk). Click here for the Facebook event page.

Monday 12th September Fubar Radio, Online

I will be interviewed on Fubar Radio at 3pm.

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Friday 16th September Exeter

I will take part in a debate at Exeter University titled “This house believes porn is a harmful industry”. I’m told this will be a very popular event, so come early if you want a seat. The debate will start at 7pm at: The Amory Moot Room, University of Exeter Amory Building, Rennes Drive, Exeter EX4 4RJ

Thursday 22nd September Birmingham

From 19:30, I will participate in a debate, to be held by Birmingham Salon, on the subject “Can Pornography Ever be Liberating?” The event will take place at The Victoria, John Bright Street, Birmingham B1 1BN. Full details at the Birmingham Salon website.

Tuesday 27th September London

Screening of the documentary film Respectable: The Mary Millington story. I’ll be taking part in the panel discussion.

TBC: Fiona Patten of the Australian Sex Party

I’m hoping to arrange a short event in late-September with the wonderful campaigner Fiona Patten, the leader of the Australian Sex Party and MP, when she visits London. Further information to be posted soon.

London Event: Zara du Rose DVD Launch Party

Zara du Rose, pornstar and dominatrix, invites you to join her on 30th July in London, for a party to launch her new DVD, Zara’s Girlfriends. Zara explains…

“Guests will be greeted with canapés and welcome drinks. Then we head to the secret basement of our venue for the evening. There, the mood will change and we will step back in time to how Soho used to be! With private viewing booths and an intimate setting, you’ll be the first to see my brand new DVD, Zara’s Girlfriends!

The event is open to industry professionals, fans and general adult film lovers!

Tickets are VERY limited, only 30 available & less than 20 remaining.

Come and join me for an evening of previews, giveaways and a chance to enjoy this unique setting in London!”

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Tickets are available here:

Video: Is Object a Hate Group?

In October, I wrote to Object to question their accusations of sexual violence against the sex entertainment industry, and their behaviour during a recent protest. Although they tweeted that they would be responding to the “false” allegations, we have heard nothing more from them.

We have now exclusively obtained a video of Object’s protest outside Spearmint Rhino in London on 27th September – watch it below:

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For those that had any doubts, this demonstrates hateful, harassing behaviour by Object supporters towards both men and women – bizarrely, men were labelled “scum” and “rapist”, while women entering the club were called “loser”. We have also heard from strippers claiming to have experienced harassment by Object supporters.

And yet, Object claims to be a human rights organisation, takes funding from the National Lottery and other sources, and receives strong, positive coverage from the Guardian and other publications. We believe Object is a hate group: how and why are they gaining access to these funds?

Coming Soon: The UK Sexual Freedom Awards 2014

If you are a sexual freedom activist, or a supporter of sexual freedom, the place to be is west London on Monday 17th November, for this year’s Sexual Freedom Awards. Coming at a time of increased conservatism and attacks on sexual liberty, these awards are more important than ever.

Come and mingle with the cream of sexual society and witness the naughtiest live acts you can see anywhere!

The awards will celebrate the best in striptease, sex work, and sexual activism. Attractions will include:

… performances by Charlotte Rose, Empress Stah, the Sex Workers Opera, Miss Carios as Jessica Rabbit, with a finale live on stage by international Hip Hop artist and BBC3 TV reality star from “Boom Town” Cream, pole dancing, a wild sexy area for networking and chatting with side shows including a striptease on a piano, erotic strip auction with Kaz B and Charlotte Rose, dj by Chris Tofu, a huge bar, a restaurant, and not forgetting visual displays of our nominees and much, much more! .

For more information, join the Facebook event page, or order your tickets here.

Saving Endangered Strippers

Stripper and activist Edie Lamort muses on the devastating effects of gentrification on the strip pub scene she knows and loves.

“I feel like an endangered species that is becoming extinct because my natural habitat is being destroyed.” – Solitaire

Protect The Wildlife

As the the Tsunami of gentrification crashes through my city, laying waste to communities and culture, leaving it like driftwood in its wake, I wonder how long my industry will survive. My industry is the traditional strip pub. Not the glossy US style corporate club but the family owned strip pub with jug collections and stage shows. The place where customers relax at the bar without being pestered for private dances and where we are individual showgirls not identikit sexbots. But the whole pub industry is in freefall no matter what kind of entertainment they have. Pubs up and down the land stand ruined and concealed in hoardings as landlords go out of business and breweries go into administration. The Peel in South London closed down in April because the brewery, Punch Taverns, is in so much debt that it needs to sell off the land to property developers. It was such a quirky place inside with a wonderful old vaudeville-esq stage, so that the dancers would call it Twin Peaks. It was also a live venue that hosted band nights promoted by indie record labels. Many a famous name in music has played there. When it closed the landlord said to me, ‘They just want to destroy all alternative culture.”

On Monday 21st July the bulldozers moved in to raze it to the ground. It will now be turned into ‘luxury’ flats, the biggest con of our age.

So as the time comes for me to hang up my G-String, here are the things I will desperately miss about being a Striptease Artiste!

The Money

Well of course! This makes life so much fun; it is the lure and the second main thing that holds you to the job. You too can eradicate the crushing misery of poverty in a few easy shifts! Doors will open and opportunities will appear for you. Over the past few years I have had my feet in both worlds; ‘normal’ job and dancing and all I can say is ‘Thank God for dancing!’ The times it has covered the shortfall that ‘normal’ job wages haven’t are too numerous to count. I don’t claim in work benefits, instead I pole dance, but the need is the same. At least I can’t be called a scrounger, only a slut.

Performance

I recent asked a group of fellow strippers, “What’s the most important part of the job? The money or the performance?” The general consensus was that both are of equal importance and it was impossible to rank. We are creative, extrovert people who wither and die in office admin jobs. We like to display and play with the audience, to get the adulation and to flirt. You can be witty, you can be silly then you can be sultry and moody. Essentially you can express yourself when you are improvising a dance on stage. So many offices I’ve stepped into are like morgues, with browbeaten people repressed and under manners, radiating a low-level emission of desperation. I look at the guys and think, ‘Yup, you’ll be in Browns soon!’

In the traditional pubs we choose our music, our costume and choreograph our individual shows, therefore we get creative satisfaction. Copying someone’s show or music is frowned upon: think for yourself! Girls train on the pole at home and in dance schools to put on a great stage show. Creativity and performance are incredibly satisfying. Especially live performance as you have the immediate response of the audience. A few dazzling minutes on stage give you a confidence and pizzazz, a vitality and a certain élan.

As it is essentially a part time job for full time wages it allowed the creative types space to do other things. Shoreditch at its peak was a creative hub and dancers contributed to this. I did music, others ran dance troupes, set up club nights, made art, sculptures and designed clothes. We were part of a scene that was rich in ideas and creativity and that spawned many a mainstream fad.

Glamour

When you are earning money and performing to an adoring crowd you feel like a star. Things are not as good as they were in the Golden Age of Striptease – the 90s and the 00s – but up until the financial crash it had all the essential components of glamour, baby!

The sexual confidence, the allure, the looks, the self-possession and individuality. It was an environment that bred confidence and sass and allowed it to flourish. Dancers had the clothes, the cars, the luxury foreign travel and went to all the fashionable places because money makes that happen. They are also independent free spirits, the artists, the performers, the risk takers and life’s go-getters. Why sit at a desk job when you can dance and get all those things you always wanted? Dancers have attitude, wit and sass and they use it!

Freedom and Independence

I went on holiday to Thailand and met a group of friendly East Coast Americans. We kept in touch and one rainy Tuesday I spoke to one who said ‘Why don’t you come over for the weekend? We’re having party and you can stay here if you want.’ So I phoned Browns to cancel my week’s bookings. It was fine, there are plenty of girls who want to earn money and my shifts would easily be covered. I would just work more the next week and recover the money. Then I got out my credit card and booked a flight to NYC. By that evening I was in the US and at the party. This sense of freedom and independence is such a wonderful experience. You feel totally in control of your own life when you can choose your hours and generate your own financial security. Money in itself won’t make you happy but the opportunity and the freedom it brings will certainly help.

Being Physical

“Office work has ruined my life”, said an overweight and despondent looking customer to me, a few years ago. I didn’t understand what he meant until I started tentatively venturing into that landscape. When you are a dancer your job is a high paid workout. The strength and tone and the general feeling of health you get from being physical goes unnoticed, until you stop! Sitting for hours in an overly air-conditioned, uncomfortable environment with fluorescent  lights overhead is bad for your health. Within a few months of working in an office I began to feel my strength ebbing away and to learn that there was such a thing as back fat. Your life becomes a fight against the sedentary weakening of your body, as feeder-like colleagues bring in biscuits and cakes, relentlessly! We are not designed to be so static and feeling your body in its peak of health, as it is supposed to be, is joyful.

Walking on the Wild Side

If you are a bit kooky see it as a blessing; why on earth would you want to be normal and boring? It’s not an enriching place to be hence people are drawn to the deviant and the risqué. The inhabitants of the traditional strip pub are the weird and wonderful multitudes of humanity and I mean that for everyone. The customers of course display most of these attributes but the owners, the bar staff, the DJs, the bouncers and the dancers are permitted to be themselves and to be self expressed. I delight in meeting the many varied and whacky people of the world.

From the OCD punters and the drunken morons, to the intensely clever and interesting guys, you will see all sides of humanity. We’ve had gay guys and older gentlemen with a penchant for cross-dressing, come out to us because they feel like it’s an environment they can be free in.

“Love them whores they never judge you, well what can you say when you’re a whore?” – Perry Farrell

Not that we are whores. I know how tetchy people get about language.

The dancers can be divided into ‘creative’ and ‘businesswomen’, with one or two nutters, and everyone becomes larger than life. You will also be at the forefront or each new wave of immigration so will meet people from all over the world, speaking many different languages. About 70% of my friends are immigrants because of this job. There is a sense of camaraderie that develops because we are demonized by society at large so we need to have each other’s backs. This has given me some of the best friends I’ve ever known. I have met the most outrageous characters, the most eccentric, the funniest, the smartest, the wittiest and the most independent, and thank God for that!

If you like music, art, fashion, performance and dance you will mourn the loss of the London subcultures, including dancing, because these are the places that spawn creativity. They are fragile ecosystems of low rent and liberal attitudes that allow the evolution of the ‘next big thing’: the next music trend, the next art movement, the next fashion and the next development in dance. They are nurseries of ideas and trends that feed into the mainstream and keep it alive and interesting. Without this fragile reef, the mainstream will become stale and drab, with nothing to feed it. As the corporate vandals smash through neighbourhoods I wonder how long it will take us to recover. Occasionally things will breakthrough and you will see a great band, hear a great DJ or see someone looking amazing. The urge will always be there and will ultimately triumph but right now things are looking drab.

Just remember, when you destroy the cultural ecosystem, it’s not just the animals that suffer.

(Photo of The Peel courtesy www.bronfilms.com).

Why I Danced in Spearmint Rhino

Last week, we heard that Camden Council in London may withdraw licensing from the strip venue, Spearmint Rhino. This was greeted with joy by anti-sex feminists. But what about the women who will lose well-paid jobs? A former Spearmint Rhino dancer explains what stripping there meant for her.

Like many people of my generation, once I graduated I felt lost. Applying for jobs was a job in itself and waiting for the rejection letters became a cause for not bothering to get out of bed in the morning. Watching my dole money dwindle and my chances of earning a living minimise, I remembered a friend telling me that on her gap year in Japan she began stripping to find her travels.  The thought played with me as I summed up the courage to ask my boyfriend to lend me groceries. Fuck it, I thought. If other women are doing it, then I can.

Before I could change my mind I took myself around the city that night. I went into four different strip clubs, each time telling the guy on the door why I was there and if it would be alright if I had a look around and spoke to the girls about what it was like to work there.  Spearmint Rhino seemed the safest, the most discreet, with the best security and the highest payout. That was on the Tuesday. By Friday it was my first shift. By Monday I could afford my rent again.

Stripping wasn’t the easiest job I’ve ever done, but it was certainly the most enjoyable. Even now when I look back on my days there I remember the good before the bad. I compare it to the other jobs I worked before I since and though it wasn’t perfect, what job is? The long nights and sore feet were necessary for the money I brought home. The competition between other girls helped me drive my determination, strengthen my sales pitch and hone in on my unique selling points. The difficult customers taught me interpersonal skills, patience and negotiation tactics.

Being self employed is not easy, but since working there I know that working in such a high pressure, intense workspace means that every job since has reaped the benefits. And what about exploitation? Power is an interesting dynamic. It is not held solely by the customer, nor by me as the dancer. It’s an exchange of money, interest, attention and services. To feel exploited as a stripper must imply that anyone selling services with their body should also feel under the thumb of capital; that they do, but why should only sex workers be punished for it?

Working at Spearmint Rhino pulled me out of poverty in a way that no other job allowed me to do. Because no other job would hire me. Working there not only paid me in money, but also confidence that I had something worth selling. Not just my body, but also my mind to the customers who laughed at my jokes, entertained me with conversation and spent time with me. Attractive waitresses, nurses, teachers and care assistants aren’t punished by having their jobs taken away from them; only those women who dare to mix sexuality with autonomy and smack a price tag on it. If I hadn’t worked my way out of debt by stripping, I dread to think what my options would have been.

The ‘Feminists’ That Cried Wolf

Stripper Edie Lamort writes about snobbish and prudish attacks on strip clubs made in the name of feminism.

This Friday 28th February, Labour MP Diana Johnson, will be reading her proposals for a new bill on Sex Entertainment Venues (SEVs) for the second time in the House of Commons. She is the MP for Kingston-Upon-Hull and the striptease venues near her are Honey Trap and Purple Door. Her bill aims to increase regulations of Sexual Encounter Venues (SEVs) despite these being very heavily regulated anyway. Currently a council can consult with the public on SEVs and ask if it wishes to see a nil policy introduced. Effectively banning striptease in that particular borough. However this is not mandatory and this new legislation seeks to make it mandatory for all councils to go through this procedure, whether they believe it relevant or not.

Along with being an admirer of extremist lobby group Object she states: “As well as the specific concerns about the links between the sex entertainment industry and coercion and human trafficking, there is a widespread view that lap-dancing clubs can contribute in a negative way to the general character of an area and detract from the residents’ quality of life, especially if the clubs are located in residential areas or near schools.”

This is the usual line given and is not supported by any evidence. In terms of human trafficking; the very idea of allowing legal licensed venues is to prevent such things. You have to show your passport to the club to prove that you can legitimately work in the UK therefore making it impossible for undocumented or trafficked persons to get a job. Copies of passports must be held by the club as they can be checked by the local council at any time.

Tied up in the ‘concerns’ about coercion is the patronising attitude that good girls couldn’t possibly choose such a job and those who do must be damaged, drug addicts and therefore coerced.

In terms of them contributing negatively to the character of the area one thing I hear frequently, when attending debates on the subject, is the phrase ‘I had no idea these places existed in my borough, but they must be banned.’ So if they had no idea they existed then they weren’t causing that much trouble in the first place. There have also been very strict regulations on the kind of signage and advertising clubs can do for many years now. No club is allowed to display obscene or overt advertising or flyer passers by.

Finally clubs are not usually open during school hours and children do not attend school in the nighttime. But hey, why let the facts get in the way of a good moral panic?

She also uses quotes from three concerned local residents who do not like striptease venues. They say they fear the customers of such clubs and feel vulnerable. As much as their fears are real to them we must ask if they are founded. Is this fear real or imagined?

The three residents quoted by Diana Johnson may not like the dancers and dislike the customers. They may find us all slutty and trashy for dancing naked but I find their snobbery distasteful. They are welcome to their opinion but I and many others are also entitled to our freedom. The argument of finding customers of strip pubs rowdy and unpleasant could also be used against football supporters, clubbers or rock fans going to a gig.

A few weeks ago, in the club I work in, we had a group of girls in celebrating a birthday. They were great fun, respectful to all and are most welcome to come again. These women were not afraid of dancers or customers. Not all women are quaking with fear because of striptease.

The Stripping the Illusion blog recently put in a freedom of information request to the Kingston-Upon-Hull City Council to see if they too were of the same mind as the three upset residents.

“Freedom of Information Act 2000 – Information Request – 000304/14

With regard to your Freedom of Information request received on 7 February 2014, please find our response below.

‘I am making an enquiry under the terms of the Freedom of Information Act, and I would grateful if you would provide me the following information:-

• Details of premises within the city currently licenced for striptease (either under the Police and Crime Act 2009, or the Licensing Act 2003);

• Details of any premises which were licenced for striptease (under the Licensing Act 2003) over the last ten years, i.e. from February 2004;

• Records of any official complaints made against the above premises, either to Kingston-upon-Hull City Council or Humberside Police.’

The only two premises that have been licensed for striptease are Fantasy Bar (now the Honey Trap) and Purple Door. There have been no official complaints made against either of these premises.

We hope that you will be satisfied with our response and should you require any further information then please do not hesitate to contact us.”

It is very easy to criticise and condemn something you don’t understand but the main question here is do we want to live in the prison of other people’s fears? Fears that are not your own but simply those of a tiny yet vocal minority. Whilst their fear is of significance to them we cannot let them dictate to the more courageous majority and have the richness of our lives censored or limited.

This does not only affect dancing venues. If we continue to put the opinions of the local busybody, someone with a grudge or perhaps the interests of a property developer over and above the enjoyment of the rest of society we will all be poorer. This nimbyism doesn’t stop at strip clubs. More and more the objections of a tiny minority of residents are causing venues and arts projects to close.

The Wapping Project in East London is closing due to the complaints of three awkward residents. It will now be turned into ‘luxury’ flats. The George Tavern music venue in Stepney is threatened due to a development of ‘luxury’ flats. The Coliseum is closing, all the clubs by London Bridge have been closed and the Raymond Revue Bar was closed in the disgraceful Soho land grab just before Christmas.

This all amounts to nothing more than a conservative attack on communities and the arts. Hundreds of pubs and venues are closing up and down the country every week. Mostly to make way for ‘luxury’ flats that are bought off plan by foreign investors. Whole areas are being cleansed and sold, not just Soho, but also the Elephant and Castle redevelopment.

Do we wish to live in society full of unaffordable ‘luxury’ flats, in a cultural wasteland, or do we want to keep music, dance (including pole dance) and the arts as part of our lives? A friend of mine who has been a successful club promoter for over two decades now, gave a wry smile recently and said, ‘I don’t know why they are planning a 24 tube service in 2015. At this rate there will be no more clubs in central London to go to.’

Not only is this bill part of ‘the feminism that cried wolf’ syndrome, taking offence to everything, but it’s also the feminism that is the handmaid of property developers.

Another question this raises for me is why are ‘feminists’ such cowards and why do they seek to blame others all the time for their issues? I know the world is not perfect but my formative years were during the 90s where everyone went a bit hippy. People went travelling and ‘found themselves’, people did Yoga, meditation and therapies of all kinds. Essentially people took responsibility for themselves. They therapied themselves silly, sometimes with charlatan gurus admittedly, but the over all philosophy of the time was, ‘if you have personal issues you can deal with them, gain power over them and be happier.’ A flotation tank and some crystals do not solve all problems but this was an overall healthier mentality than today’s finger pointing.

Now people do not look to themselves to see why they are afraid or if their fears have any foundation, they instead they accuse the other. They point the finger and say ‘it must be banned’. Whether the narrative is ‘porn makes me feel bad’, ‘men who’ve looked at other women may gaze lustfully at me’ or even ‘she’s prettier than me, I feel bad, it’s her fault’. They need to ask themselves questions first before blaming the other. It’s not always someone else’s fault and it’s very important we get the balance right.

Everyday Sexism founder Laura Bates recently attacked Helen Grant MP when she dared to suggest girls who don’t like traditional sports should try other types. A reasonable suggestion in my opinion and as someone who enjoys ‘feminine’ dance as well as ‘masculine’ British Military Fitness I appreciate the differences and the benefits of varied forms of exercise. Apparently teenagers can be awkward and say they don’t want to mess their hair. Err ….. well of course and hasn’t this always been the case? I don’t think difficult teenagers are a modern phenomena. This is just another way that people abdicate personal responsibility by pointing the finger at external factors.

Are today’s young women really so feeble minded? I know my nieces aren’t. I’m sure our athletes or cheerleaders aren’t, I know my pole dancing friends aren’t. This modern strand of feminism really is in danger of being the feminism that cried wolf and simply makes a mockery out of a once honorable movement. Laura Bates and Everyday Sexism being a good example of this. Some of the stories published on the website are of actual sexism and some even of criminal acts, these are valid complaints. However there are a great deal that are simply small-minded whining and these will only serve to damage the movement.

Whether it be your local pole dance venue, your local music venue or arts project; these should be saved and not closed down on the whims and complaints of a tiny handful of residents. This bill should set a threshold, a minimum number of complaints, before a successful business can be closed. These complaints should also be backed up by police evidence. Thus preventing the local busybody from ruining everyone else’s fun.

Diane Johnson MP is using hashtag #peoplepoweronstripclubs‬‬‬ if you wish to join the debate.

A Stripper Writes to Object

The morality group Object has long campaigned against striptease as well as other forms of sexual expression. Although they claim to be a “women’s rights” organisation, they show notable disdain – even at times, hate – towards the women in the sex industries. Object show no apparent interest in listening to the “poor, abused women” that they claim they are saving from exploitation.

This week, Object founder Anna van Heeswijk published a Guardian article listing five reasons why the strip industry must be attacked using further legislation. In response Vera Rodriguez, a Spanish stripper working in London, wrote the following letter.

Lapdancing clubs need to listen to the voices of the dancers. Here is why:

A response to Ms Heeswick letter, from a dancer’s perspective. Your ‘5 reasons’ easily refuted and more.

Dear Ms Heeswick, after reading your article published yesterday, I would like to answer to each of your reasons…

1. Lap dancing clubs market women as sexual objects for male gratification

Let me question your affirmation, Do lap dancing clubs market women as sexual objects for male gratification?

My answer is NO, in big capital letters. If so, how can an object dance with high heels and do pole dancing tricks? Behind every action of every worker there is a human being taking decisions for themselves. If somebody makes us “objects” is obviously your organization.

Dancers we are entertainers and so far, all workers work for money and that is what we do, entertainment for an audience that pays for our bills.

I also have to make a point to your state. The presence of strip clubs does definitely not increase the demand for “prostitution” but it offers a complete different service. I assume that you take prostitution –that I will call ‘sex work’ as something ‘lower’ than stripping but as a stripper I will not compare to others workers in a way that creates a hierarchy.

2. Women who work in lap dancing are routinely subjected to harassment, exploitation and the expectation of sexual services

Let me question your honesty about the definition “Object” as a human rights organization. To me, it is pure demagogy as it is only trying to make us -the female workers- more vulnerable. If more strip clubs disappear in these hard times of recession and less chances to get other jobs, do you think that is real feminism? As you thought you know what is best for us, let me also advice you to put your energy and your dubious anger in creating more jobs for women, not trying to take away jobs that we decided to do. We are thousands of mothers, migrants, students, fighters, activists and so on, as every one of us has a story to tell. I cant help but laugh sourly at your research with 14 years in the industry at my back.

Real feminism should defend women’s choices. It is not about privileged women eager for some kind of leadership thinking that they know what is best for the rest of us.

Yes, it is true that we have to pay house fees which, increased dramatically after the so called “feminists” like you pushed for a tough legislation that is not even enough for you now. That made us work in what is called now “sexual entertainment venues” and increased dramatically the price of licensing that clubs have to pay. Thanks for making my life –and other women’s life tougher, feminists!

To finish with this point, I will highlight that you try to prove your perspective with what you describe as ‘one woman’ that she felt it was the hardest job that she ever did. I could name hundreds of women that we are still in the industry by choice but as you only mention one, to mention myself is more than enough. Still, I will mention some collectives that support my statement.

3. Lap dancing clubs create a threatening environment for women and girls who live in the areas around the clubs

You support your answer again referring to “one woman that told Object” Can I meet her? Where is she? In which area does she live? Because in my whole career I have generally worked in places that are much more discreet than any other “normal pub” can be. Again, Ms van Heeswijk, why don’t you give more evidence? Is it because you truly lack of knowledge?

4. Councils can still operate under legislation that equates lap dancing clubs with restaurants and karaoke bars

I don’t question your question here when you say that councils can still operate under legislation that equals lap dancing clubs with restaurants and karaoke bars. I just want to ask you why are you so offended? Is it not a karaoke bar a place where people perform which is what I do in my shifts? As long as it is adult consent, which happens to be the case, I don’t think I need to ask permission to work in any neighbor hood, sorry. Can you name where the strip clubs are, Ms van Heeswijk? Sorry to question what I doubt. I have worked in places where even the neighbor hood did not notice that there was a stripping venue. This licensing requirement is only making our lives harder. Do you really want to ‘help’ strippers? Ok, help me to remove our house fees by not asking a special license.

5. Bars and pubs can get around the licensing regime by holding sexual entertainment events on an ‘occasional basis’

On your last ‘reason’ you assert that Bars and Pubs can get around the licensing regime by holding entertainment events on occasional basis. Let me ask you again why does it bother you so much that event workers work on event occasions? Why to make it more difficult to both organizers and dancers that we agree to work? Why not focus on protecting our rights as workers? Why don’t you fight stigma with us instead of us being your target?

Please Ms Van Heeswijk, other members of Object as certain kind of feminism, don’t be patronizing with other women. Start including sex workers and trans women in your out of date discourses. If you don’t agree with my decisions I simply do not care. But if you try to make my job even harder than it is, this letter will only be the beginning.

Signed: An angry stripper and…