Every now and then, I need to take a step back and check I’m not exaggerating the looming threat to free speech. And then, along comes a story like this, which confirms: nope, things are bad for free speech, and they’re getting worse. This week, things took another little turn for the dystopian when a teenage girl was convicted of racism for posting rap lyrics on Instagram.
Yes, you read that correctly. A British teenager has been convicted for posting the lyrics from a rap song (I’m Trippin’ by Snap Dogg) on a social media site. As if to illustrate a fundamental problem with censorship, we don’t know exactly which lyrics she posted, because news sites didn’t specify. Thus, not only is the girl being censored, but so is coverage of the “crime”.
To give a feel for the Orwellian atmosphere, here’s the BBC trying to report the trial, without itself offending anyone:
“The words Russell used on her account contained a racial label which some people find extremely offensive… PC Dominique Walker… told the court the term was “grossly offensive” to her… Russell’s defence had argued the usage of the word had changed over time and it had been used by superstar rapper Jay-Z [at Glastonbury]…”Free event-based dating for the UK
Being somewhat braver/stupider than the BBC (and having listened to the track), I’m going to hazard a guess that the word was Nigga, a term that is liberally used in hip-hop (and, of course, has its roots in the racism of the old US Deep South).
This court case is worrying at multiple levels, and should deeply concern anybody that is worried about the future of the Internet as a free medium. It provides yet more evidence that the Establishment has now seized on “hate crime” as a tool of authoritarianism. PC is no longer the realm of well-meaning (if misguided) students, but of the police state. As I’ve blogged previously, Theresa May – hardly a well-known leftie – previously banned Tyler the Creator, a rapper, from touring the UK because his lyrics were deemed to be misogynist and homophobic. Did May genuinely care about the feelings of people who never listened to Tyler’s music anyway? Or did she simply enjoy finding a new excuse to ban a black man from entering the country?
Context should be important, and yet has been apparently ignored by the court. The fact that the girl (it seems) meant no offence is deemed to be of no importance. The fact that the word formed part of a song was of no importance. The fact that the word was not being used to abuse somebody was of no importance.
The ruling, bizarrely, appears to have been strongly influenced by the view of an individual police officer, who claimed the word was “grossly offensive” to her as a black woman (one presumes that she isn’t a fan of the work of Snap Dogg and other rappers). In doing so, the court has made a deeply racist judgement that the view of one black woman is representative of all black people. No white person would be deemed capable of speaking for white people – so why does the legal system patronise black people in this way?
Not all black people agree with PC Walker. The rap artist Greydon Square makes this clear in his hard-hitting tune, N-Word. In 2007, the black American (but London resident) comedian Reginald D Hunter named one of his stand-up tours “Pride, Prejudice and Niggas”, and was promptly banned from advertising it on London transport. If anything illustrates the madness of censorship, it’s the irony that a black man from the Deep South was censored by a British bureaucracy in order to protect the feelings of black people.
The teenager – whose name I won’t repeat here, but who has been named in the mass media – is now branded a racist: something she probably is not. This, in the current era, is akin to being labelled a “communist” in 1950s America.
Most of all, the ruling raises a serious question about impending censorship of the Internet. Snap Dogg’s videos and lyrics can be found on YouTube and in many other places. Should his work now be taken down, to avoid offending people like PC Walker? Of course, this would apply broadly to hip-hop, as well as to literature and cinema.
People that think the state might censor non-black people, but not black people, for use of the offending word, is doubly naive. Firstly, that would be illegal under equality law. And second: Really? Which part of “the lessons of history” did you miss?
The word also appears in the great anti-racist novel To Kill a Mockingbird. Would the state be misguided enough to censor this work too? I think they just might.
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